Friday Five with Elliott Maltby of thread collective

Friday Five with Elliott Maltby of thread collective

Founding partner of thread collective, Urban Landscape Design Director Elliott Maltby believes that art and design can improve the sustainability and vitality of the urban environment. Her vast knowledge of landscape elements shows in every project she lays hands on – including how plants can make for fantastic design elements. Elliott is also skilled in sensory experiences and cultural narratives while providing ecosystem services.

In her research Elliott explores the influence ecological conditions have on the current built and cultural environment. Most recently it’s taken her on a journey to explore the history of Collect Pond in Lower Manhattan, identifying its influence on the city that ranges from the municipal water supply to the founding of Chase Manhattan Bank. In addition to working with architects, Elliott has also collaborated with artists and scientists to creatively address urban design, climate change, and resiliency. She’s currently an Adjunct Associate Professor of Graduate Architecture and Urban Design at the Pratt Institute. Today Elliott is joining us for Friday Five and sharing some important influences in her life.

A vertical garden at the Quay Branly Museum [left] and third century Gallo-Roman baths next to the contemporary facade of the Musée de Cluny [right]

1. Urban Wandering
I love wandering through cities, following what intrigues me in the moment. Material juxtapositions, changing light, vernacular signs, and unexpected plantings create a shifting and personal geography. On the other hand, we often use historic maps to provide a different kind of insight into a city, understanding the spatial, cultural, and ecological history of a place through the symbolic order of a two dimensional drawing. I recently visited Paris with my husband Mark, who is also one of the other partners at thread collective. The exploration and photographs from this trip frame and illustrate my five things.

View onto the courtyard at Villa Savoye

2. Integration of Architecture and Landscape
One of the major tenets of our design practice is the integration of architecture and landscape. Le Corbusier’s Villa Savoye is a classic early modernist example of this, with the living spaces organized around an internal courtyard and the primary circulation leading to a habitable roof. The spatial overlap of inside and outside spaces is reinforced by large glass sliders, and ribbon windows frame the views of the landscape beyond.

Rows of trees create outdoor rooms throughout parks in Paris, France

3. Outdoor rooms
Paris’s historic parks are exercises in large scale spectacle, minimalist plant palettes, and daring – and sometimes eccentric – geometries. Trees are sculpted into pristine cones, organized into long allées, and pollarded into distinctive rectangular forms. Landscape becomes architecture, creating grand passageways, outdoor rooms, and intimate gathering spaces. Trees and shrubs functions as walls and ceilings, creating discrete zones as well as a sense of drama and surprise.

Un îlot végétale in Canal Saint-Martin in Paris

4. Ecological Experiments
We came across this ecological experiment on the first day of our trip. Canal Saint-Martin once provided drinking water to the city, now its low concrete walls are draped with Parisians of all stripes, relaxing and drinking with friends. This small “island of vegetation,” funded by participatory budgeting, introduces habitat and biodiversity, along with a sense of humor, into everyday urban life. Collaborations between artists and scientists, such as those supported by City as Living Lab, are particularly exciting, creating innovative solutions that engage people and spark the imagination.

Artichoke plants in Versailles’ kitchen garden

5. Urban Agriculture
Small and very lush gardens enliven every corner of Paris, balancing the more restrained geometries of the large formal parks. Sometimes I’d notice some edibles tucked among the flowers, other times we’d discover a vineyard dating from the middle ages. A new permaculture garden, La Ferme, is currently being installed in a beautiful stone-walled courtyard, a space that formerly stored water for the elaborate fountains at Versailles. Wendall Berry noted that growing your own food is a solution that begets solutions. In addition to providing freshly grown produce to the community, urban agriculture addresses a variety of ecological and social issues. Urban farms and community gardens can help foster inter-community relationships, manage stormwater, and combat the urban heat island effect, among other critical benefits for our expanding urban habitat.

Photos by Elliott Maltby.

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Cornerstone House Pays Tribute to Stone Quarries

Cornerstone House Pays Tribute to Stone Quarries

Tucked away in Melbourne’s trendy Northcote district is the Cornerstone House, a modern residence that pays tribute to the site’s previous life as a stone quarry. Architecture studio Splinter Society designed the home to be abundant with contrasts, which is most noticeable in the structure’s healthy mix of raw materials and refined forms.

As a literal reference to the former quarry, the home’s design process began with the strategic placement of a dozen hefty boulders by crane. The home was then built around the stones — some ended up on the outer lawn surrounding a pool, while others were incorporated into the structure’s interior.

The boulders were typically left untouched during the design process, leaving them with a rough surface and marks from when they were pulled from the ground with industrial tools. Key areas inside the home feature boulders used as partitions, flooring and occasionally even furniture.

In contrast to the natural stone elements, the majority of the two-story home’s exterior was constructed with sleek black steel cladding.

Blackened timber slats and steel dominate the interior alongside the boulders.

The Cornerstone House’s massing is set to one side of the site in order for it to successfully blend in with its surrounding streetscape.

Photos by Sharyn Cairns.

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Creative Permeability Defines Jaguar’s New Design Studio

Creative Permeability Defines Jaguar’s New Design Studio

Entering the capacious entry leading into the new Jaguar Design and Engineering Centre in Gaydon, Warwickshire, UK, one’s gaze is immediately drawn upward and outward – past the stationary parallels of scale models and full-size vehicles on each side, and toward a distant backdrop of light and space framing the perpetual motion of its occupants. It becomes all too easy to imagine this kinetic state-of-the-art creative space belonging to a tech venture rather than operating for one of the most vaunted brands in automotive history in the English countryside. And that’s all before setting foot within the heart of the 39,000-square-foot Jaguar Design Studio, where clay models are judiciously contoured into reality and virtual reality systems are used to test their limits.

Jaguar Design Director, Julian Thomson, standing in the Heart Space of Jaguar’s Design Studio. The muted cool light of the British countryside welcomed in is aided by extensive streams of LEDs overhead, offering the Jaguar team exacting control for assessing shape, contours, and proportion.

The new creative headquarters, designed in collaboration with architects at Bennetts Associates, represents a long term investment and integration of emerging technologies for the British automaker. It also operates as a cognizant effort of reinvention. The heritage brand is fully aware of the fundamental shift in the tectonics of an industry once characterized by iteration rather than innovation, with Jaguar’s new Design Director, Julian Thomson, pronouncing the British automaker’s intent to utilize the new facilities as a means to expedite their own evolution rather than as a bulwark against change.

Julian Thompson, loosely sketching some of the hallmark silhouettes from the Jaguar timeline. \\\ Photos: Gregory Han

“Jaguar has a unique heritage as a design-led brand and this will always to be a central pillar of our DNA. The design values and philosophy remain the same and this building will allow us to design the very best cars for our customers, far into the future,” says Thompson, “We understand the issues that are facing the automotive industry and can respond accordingly through innovation and creativity.”

Julian Thompson, Jaguar’s new design director (only the third in the automaker’s history), presenting with the aid of a Cinerama-wide, 36-feet wide, 4K digital wall display (aka, ‘The Electric’), Thompson emphasized Jaguar’s trajectory toward an electrified sustainable future informed by cultural priorities demanded by a new generation of owners motivated by a new definitions of “luxury”.

History is ever present within the hallways and public spaces of the Design and Engineering Centre, with photography, books, and other automotive artifacts situated strategically throughout.

While access was limited during our visit, a number of relaxed meeting spaces intended to foster collaboration and creative efforts were seen throughout.

Technologically, the Advanced Product Creation Centre is intended to operate as the world’s most advanced automotive design and engineering facility. Architecturally, the centre claims Europe’s largest timber roof. It’s an intentional dynamic, one where the ever-present warmth of wood helps restrain the enormity of a facility designed to develop some of the largest and most complex pieces of moving hardware, and volunteers a pleasing backdrop for designers and executives alike to appraise the automotive forms designed within its walls.

As a “catalyst to inspire” the Jaguar Design Studio operates at the heart of the 550,000 sq. ft. facility, orbited by adjoining sections dedicated to Interior, Exterior, and Colour and Materials teams, alongside Design Visualisation and Design Technical disciplines. Cribbing from tech companies, the open floor plan envisages collaboration throughout the entire vehicle development process, allowing a permeable relationship between departments.

The diversity of spaces housed under one roof is made possible by an enormous supporting steel ‘super-grid’, its most dramatic section of open and expansive floor spaces (demarcated as Studios 3 and 4) dedicated to hosting a total of ten clay modeling plates. Each plate measures 20-meters long and is capable of accommodating two clay vehicles, with a load capacity of 4.5 tons. From these platforms, Jaguar’s team of 46 sculptors can utilize the aid of a 3+2-axis Kolb Concept Line CNC clay milling machine, each fitted with a 1kw motorized spindle capable of 16,000 rpm, before turning to the hand tools to manipulate the material millimeter by millimeter from a general notion into an exact representation.

Each clay model is first scanned with precise accuracy by computer to tolerances of 0.2 mm. Revisions are numerous. Eventually clay models are wrapped, painted, and accessorized, inside and out, into the convincing semblance of real vehicles.

In migrating from Jaguar’s previous design studio in Whiteley into this new Gaydon-based location, Jaguar has future-proofed itself both in capacity and also technologically for the foreseeable future. From here Jaguar will soon be able to claim the site as the birthplace of the upcoming fully-electric Jaguar XJ, a manifestation of the British automaker’s holistic attempt to connect a storied past with aspirations to define a luxurious and sustainable future.

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A Light-Filled House in Toledo, Spain Where Patios Have Nobility

A Light-Filled House in Toledo, Spain Where Patios Have Nobility

OOIIO Architecture have completed a single-family home, GAS House, in Toledo, Spain. Their clients, a young couple, wanted a bright home built on a plot where natural light was not particularly abundant. Therefore, OOIOO’s team had to organize the house around four patios strategically placed on the site to serve as light wells and natural ventilation.

Each of the patios’ height changes depending on its function of “nobility” as the architects called it. A more intimate, personal function, like the living-dining area, is the most noble and therefore the highest patio on the plot. The lowest, meanwhile, is the garage.

Looking at the traditional patios of La Mancha, the architects found that the lower parts of the patios were made by ceramic baseboards.

In this modern house, the architects have decided to reverse it and put the ceramic at the bottom: the patios are covered by hexagonal ceramic pieces so that when light falls through the courtyards, it falls with a certain distinct, eye-catching visual personality.

Photos by Josefotoinmo.

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The Shoebox: A 16m2 Micro Apartment in Beirut

The Shoebox: A 16m2 Micro Apartment in Beirut

With less and less affordable housing available, especially in larger cities, downsizing has become a necessity for anyone attached to city living. Beirut is one such city, leading to micro apartments growing in popularity. The Shoebox, which spans a mere 16m2 (approx. 172 square feet), makes scaling back much more feasible with built-in functionality added everywhere for maximum efficiency. Designed by Elie Metni, the micro apartment is located on the roof of an older building in the center of the Achrafieh district of Beirut, a mere steps from restaurants and shops.

The elongated interior is kept white, enhancing the natural light that floods the space making it appear larger. The unit offers flexibility allowing it to adapt as the client needs it to, especially when visitors come to stay. The dining table flips up and rolls out with two chairs hidden underneath for company.

Large square tiles clad the kitchen floor and walls and continue into the bathroom just behind it.

The couch has storage underneath for books and magazines, along with a coffee table and cup holder/trash can/foot rest that come out when needed.

A double bed houses storage underneath with a bit of storage on each side that are decked out with electrical plugs for phone charging.

Photos by Marwan Harmouche.

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AAmp Studio Renovates and Adds Onto a 100-Year Old Townhouse in Toronto

AAmp Studio Renovates and Adds Onto a 100-Year Old Townhouse in Toronto

AAmp Studio was hired to do a full renovation and addition to a 100-year old townhouse in Toronto’s West End neighborhood. The project scope included reimagining the entire interior into an open floor plan and adding a third floor onto the narrow structure. The Sunnyside Townhouse now features spacious, light-filled rooms outfitted with light wood floors and white walls throughout much of the interior. In contrast, bold black accents were incorporated within the kitchen and the darkened staircase that spans all three floors.

While much of the larger elements and surfaces in the townhouse are white or black, other colors and textures were incorporated, keeping the eye engaged as it scans each room.

Photos by Dale Wilcox (interiors) & Alex Willms (exterior).

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Cabin A: A Dramatic A-Frame Cabin in Québec’s Charlevoix Region

Cabin A: A Dramatic A-Frame Cabin in Québec’s Charlevoix Region

With its rise in popularity as a year-round tourist destination, the Charlevoix region of Québec adds a new property overlooking the St Lawrence River about 20 minutes from Le Massif ski resort. Designed by Bourgeois / Lechasseur architectes, Cabin A rests on a steep slope with an A-frame design that gives nod to naval architecture after the team found inspiration in nautical communications.

The cabin’s triangular roof references sails in the wind, while the large wooden terrace relates to an upper deck on a ship. The wood paneling on the walls and ceiling also point to naval architecture.

The entrance resides under one of the sloped roof wings, which provides shelter overhead when entering and exiting the residence.

The open living room, dining room, and kitchen are housed under a double-height ceiling clad in Russian plywood panels. The light wood perfectly contrasts the black framed window and black details.

The same wood on the walls was used to make built-in seating and storage in the corner of the living room.

The wood paneling extends outside to cover the surfaces of the covered terrace offering another contrast, this time with the black exterior of the house and dark metal roof.

Downstairs, there are three bedrooms and a built-in, double bunk dorm room for kids.

Cabin A is available for rent – go here for more info!

Photos by Maxime Brouillet, courtesy of v2com.

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Friday Five with Donald M. Rattner

Friday Five with Donald M. Rattner

Donald M. Rattner is the author of My Creative Space: How to Design Your Home to Stimulate Ideas and Spark Innovation and principal of Donald M. Rattner, Architect, having earned his BA in art history from Columbia and his Masters of Architecture from Princeton. As a consultant, Rattner uses scientific research to help individuals and organizations maximize their creativity through workplace, residential, wellness, hospitality, and retail environments. These experiences, of course, led to him share that knowledge of designing creative spaces with readers of his book. Rattner is also an educator, having taught at the University of Illinois, New York University, Parsons School of Design, and online. His work has been featured on CNN as well as in such publications as The New York Times, L-Magazine, and Better Humans. Today he’s sharing some favorite spaces chosen to be part of his book in Friday Five.

Photo by Thompson Photographic

1. Master Bath. Scottsdale, Arizona.
Architecture and interior design by Tate Studio Architects.
Landscape design by Desert Foothills Landscape.
Having gathered over 150 photographs of creative spaces designed by top-tier architects, interior designers, and creatives for my new book My Creative Space: How to Design Your Home to Stimulate Ideas and Spark Innovation, it’s proven nearly impossible for me to choose my favorite five because, well, I love them all! However, duty calls, so here goes, starting with a pic of the domestic idea incubator par excellence – the shower room.

Photo by Alan Williams

2. Home office and shed. London, United Kingdom.
Architecture by Platform 5 Architects.
According to scientific research, people generally feel more inspired to create in environments characterized by curved contours and rounded detailing than in boxy spaces dominated by flat planes, right angles, and sharp corners. I’d say this intriguing detached home office design puts that lesson to good use.

Photo by StudiObuell

3. Living area. Nashville, Tennessee.
Building and interior design by David Latimer for New Frontier Tiny Homes.
One of the many pleasant discoveries I made in the course of writing the book was a series of tiny homes designed by David Latimer for his Nashville-based company New Frontier. A recurring feature of each model is a large opening to the outside, which not only deftly (and wisely) relieves the sense of constrained physical space, but also helps to bring nature inside — another powerful creativity catalyst.

Photo by Eric Roth

4. Kitchen. Kennebunk, Maine.
Interior design by Deborah Farrand for Dressing Rooms.
If there’s one room in a home that serves as a cauldron of creativity above all others, it’s the kitchen. And for good reason – more than almost any other creative pursuit, cooking embodies the core attributes of invention, whether it’s the idea of creativity as fundamentally a combinatorial exercise, its heuristic qualities, or its social and collaborative nature.

Photo by Peter Clarke

5. Window seat. Thornbury, Victoria, Australia.
Building and interior design by Matthew Duignan for Mesh Design Projects.
Here’s a simple tonic for boosting creativity: read a lot, especially fiction. It will blow your mind wide open – and that’s a good thing, because open-mindedness is among the top personality traits of creative individuals.

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Time’s Running out to Apply to the A’ Design Awards & Competition!

The following post is brought to you by A’ Design Award. Our partners are hand-picked by the Design Milk team because they represent the best in design.

Time’s Running out to Apply to the A’ Design Awards & Competition!

The A’ Design Award & Competition is searching for new designers + designs to feature and highlight but the deadline to submit is February 28, 2020, and it is fast approaching. Whether your design is a concept or completed project, register here to enter this leading design award.

There are so many categories you can enter under (100+!) and there are even design award categories to consider, like the Good Industrial Design Award, the Good Architecture Design Award, the Good Product Design Award, the Good Communication Design Award, the Good Service Design Award, and the Good Fashion Design Award, to name a few. Upon entering, your design will be peer-reviewed and judged by a scientific jury panel composed of academics, design professional, and press members. Just by submitting your design to the competition, you’ll receive a preliminary evaluation which will be helpful in getting some constructive feedback.

The winners of the competition will be announced on April 15, 2020, and these laureates will receive more than just a trophy (although there is a trophy!). If announced a winner, you’ll receive extensive publicity through design magazines and blogs, guaranteed publication through IDNN and DXGN Networks to 100+ magazines including Design Interviews & DM Design Magazine, press release preparation and distribution through DesignPRWire, invitation for two to the gala to celebrate, inclusion in Designer Rankings and World Design Rankings, exclusive video interviews and spotlights, and so much more.

Curious about some of the past winners? Here are some that caught our eye:

Featured imaged: Up by Reform Sustainable High-Quality Kitchen by Jeppe Christensen and Michael Andersen

Collection Six Jewelry by Iker Ortiz

La Taue Folding Learning Tower by ettomio

Mono Monoblock Sink by Guner Donmez

Bent Wood Cajon Traditional Craft Musical Instrument by Hsu Chung-Miao

Noble ChangAn Model House by Joy Chou

Parametric Ceramics Pottery by Jimmy Jian

Project EGG Small Pavilion by Michiel van der Kley

Atlantis Sanya Resort by ATG – Asiantime International Construction

Exxeo Luxury Hybrid Piano by Iman Maghsoudi

Be sure to submit your design by February 28th — good luck!

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An Introverted House for Two Brothers in the Suburbs of Kuwait

An Introverted House for Two Brothers in the Suburbs of Kuwait

Studio Toggle designed a house in Mishref, a suburb of Kuwait City, for two brothers and their families with what they call an “introverted composition” of two separate living units. Because of the multi-family household, the house utilizes the traditional courtyard house design: open spaces for socialization and separate living units arranged around an internal courtyard.

From the street, the house – a white monolithic volume sitting atop a stone podium – looks simple and serene. To break up the look of a block, the architects used louvered windows to dot the facade and lighten the volume.

With dust storms and the desert sun, the architects paid close attention to climate control. The house is organized in a U-shape around the courtyard so as to maximize the diffused light as well as maximize privacy. The windows face a private courtyard lined with citrus trees and a sculptural fountain in the style of Moorish Alcazars.

Visually, the pared down color palette of white and natural woods highlights the home’s simple lines and clean curves of the spiral staircase. Aurally, the sound of water from the fountain provides a sense of tranquility at all hours of the day.

Photos courtesy of Joao Morgado – Architectural Photography.

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